This is a simple HTML document with embedded ABC music code. The music is rendered as SVG pictures that allow play back by clicking inside the score. Clicking outside the score area stops playback. The score area has a grey background for this demonstration.

The ABC examples are inside an unordered list (<ul>) to show that positioning the cursor in the music works accurately, independent of horizontal and vertical offset by HTML layout.

A simple bass line.

%%leftmargin 0 %%rightmargin 0 %%pagewidth 15cm %%stretchlast 0.8 %%beginsvg 0 1 3 5 %%endsvg X:1 T:Bass L:1/8 M:4/4 I:linebreak $ K:Cmin %%map tab1 C,, print=G heads=kop3 %%map tab1 D,, print=B heads=kop0 %%map tab1 F,, print=B heads=kop3 %%map tab1 G,, print=d heads=kop0 %%map tab1 ^^F,, print=B heads=kop5 %%map tab1 _A,, print=d heads=kop1 %%map tab1 _E,, print=B heads=kop1 V:1 tab stafflines=4 strings=E1,A1,D2,G2 %%voicemap tab1 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI program 36 V:1 C,,3 _E,,3 G,,_A,, | G,,3 F,,3 ^^F,,D,, | %2

Extended with 4 instruments.

%%beginsvg         %%endsvg %%map perc1 ^g print=g midi=42 heads=x %%map perc2 E print=E midi=35 heads=square+,square %%map perc2 _c print=c midi=37 heads=triangle+,triangle %%map perc2 c print=c midi=38 heads=normal+,normal %%beginsvg 0 1 2 3 4 5 %%endsvg X:1 T:Example %%score ( 1 2 ) 3 4 5 L:1/8 M:4/4 I:linebreak $ K:Eb U:s=!stemless! %%map tab3 B,,, print=G heads=kop2 %%map tab3 C,, print=G heads=kop3 %%map tab3 =D,, print=B heads=kop0 %%map tab3 F,, print=B heads=kop3 %%map tab3 G,, print=d heads=kop0 %%map tab3 G,,, print=E heads=kop3 %%map tab3 ^A,, print=d heads=kop3 %%map tab3 ^D,, print=B heads=kop1 %%map tab3 ^G,, print=d heads=kop1 %%map tab3 ^^F,, print=B heads=kop5 %%map tab4 B, print=f heads=kop0 %%map tab4 B,, print=G heads=kop2 %%map tab4 C print=f heads=kop1 %%map tab4 C, print=G heads=kop3 %%map tab4 D print=f heads=kop3 %%map tab4 =D, print=B heads=kop0 %%map tab4 E, print=B heads=kop2 %%map tab4 F, print=B heads=kop3 %%map tab4 G, print=d heads=kop0 %%map tab4 ^A, print=d heads=kop3 %%map tab4 ^D, print=B heads=kop1 %%map tab4 ^G, print=d heads=kop1 %%map tab4 ^G,, print=E heads=kop4 V:1 perc nm="Drum" K:none %%MIDI channel 10 %%MIDI program 0 %%MIDI control 7 110 %%MIDI control 10 48 %%MIDI drummap ^g 42 %%voicemap perc1 V:2 perc K:none %%MIDI channel 10 %%MIDI program 0 %%MIDI control 7 110 %%MIDI control 10 80 %%MIDI drummap E 35 %%MIDI drummap _c 37 %%MIDI drummap c 38 %%voicemap perc2 V:3 tab stafflines=4 strings=E1,A1,D2,G2 nostems nm="bass" %%voicemap tab3 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI program 36 %%MIDI control 7 100 V:4 tab stafflines=6 strings=E2,A2,D3,G3,B3,E4 nostems nm="guitar" %%voicemap tab4 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI program 25 %%MIDI control 7 100 %%MIDI control 10 127 V:5 treble nm="piano" %%MIDI program 0 %%MIDI control 7 70 %%MIDI control 10 0 V:1 ^g^g ^g^g ^g^g ^g^g | ^g^g ^g^g ^g^g ^g^g | ^g^g ^g^g ^g^g ^g^g | ^g^g ^g^g ^g^g ^g^g | %4 V:2 EE c x EE c x | EE _c x EE _c x | EE c x EE c x | EE _c x EE _c x | %4 V:3 sC,,3 s^D,,3 sG,, s^G,, | sG,,3 sF,,3 s^^F,, s=D,, | sF,,3 s^G,,3 s^A,, s^G,, | %3 sG,, sF,, s^D,, s=D,,3 sB,,, sG,,, | %4 V:4 s[G,^D,C,]2 sC, s=D, s[G,^D,C,]2 s^D, sF, | s[B,G,=D,]2 s=D, sE, s[B,G,=D,]2 sF, sG, | %2 s[F,C,^G,,]2 s^G, s^A, s[C^G,^D,]2 sC sD | s[CG,^D,]2 sD sC s[B,G,=D,]2 sG, sB,, | %4 V:5 CD [CEG]2 EF [CEG]2 | D=E [DG=B]2 FG [DGB]2 | AB [FAc]2 cd [Ace]2 | ed [EGc]2 =BG [DGB]2 | %4

Three independent voices.

%%leftmargin 0 %%rightmargin 0 %%stretchlast 0.5 %%pagewidth 19cm %%beginsvg 0 1 2 3 4 5 6 6+ %%endsvg X:1 T:Abide with Me C:Arranged for Mountain Dulcimer C:©2008 by Alan R. Barnarsd %%score { ( 1 2 3 ) | ( 4 5 6 ) } L:1/4 M:4/4 I:linebreak $ K:D U:s=!stemless! %%map tab4 A print=E heads=kop4 %%map tab4 B print=E heads=kop5 %%map tab4 D print=E heads=kop0 %%map tab4 E print=E heads=kop1 %%map tab4 G print=E heads=kop3 %%map tab4 ^F print=E heads=kop2 %%map tab4 ^G print=G heads=kop6+ %%map tab5 A, print=B heads=kop4 %%map tab5 B, print=B heads=kop5 %%map tab5 D, print=B heads=kop0 %%map tab5 E, print=B heads=kop1 %%map tab5 G, print=B heads=kop3 %%map tab5 ^F, print=B heads=kop2 %%map tab6 A, print=G heads=kop0 %%map tab6 B, print=G heads=kop1 %%map tab6 D print=G heads=kop3 %%map tab6 G print=G heads=kop6 %%map tab6 ^C print=G heads=kop2 %%map tab6 ^^C print=E heads=kop0 V:1 treble-8 nm="Dulcimer" %%MIDI program 25 %%MIDI control 7 0 V:2 treble-8 %%MIDI program 25 %%MIDI control 7 0 V:3 treble-8 %%MIDI program 25 %%MIDI control 7 0 V:4 tab stafflines=||| strings=D4,A3,D3 nostems diafret %%voicemap tab4 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI channel 1 %%MIDI program 25 %%MIDI control 10 0 V:5 tab stafflines=||| strings=D4,A3,D3 nostems diafret %%voicemap tab5 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI channel 2 %%MIDI program 25 %%MIDI control 10 64 V:6 tab stafflines=||| strings=D4,A3,D3 nostems diafret %%voicemap tab6 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI channel 3 %%MIDI program 25 %%MIDI control 10 127 V:1 f2 f e | d2 a2 | b a a g | f3 z | f2 g a | b2 a2 | g e f ^g | a4 | f2 f e | d2 a2 | a g g f | e4 | %12 e2 f g | f e d g | f2 e3/2 d/ | d4 |] %16 V:2 A2 c c | B2 d c | d c c A | d d c B | A2 B d | d2 d d | B A A d | c2 g2 | A2 c c | B2 d c | %10 B2 B2 | B4 | A2 A A | A A B B | A2 A2 | A4 |] %16 V:3 D D A G | z F F2 | G E E E | A3 z | D D D F | G G F2 | E E D B | E4 | D A A G | F F F2 | G2 D2 | %11 z G F E | z E D E | D E F E | D D2 G | F2 D2 |] %16 V:4 s^F2 s^F sE | sD2 sA2 | sB sA sA sG | s^F3 x | s^F2 sG sA | sB2 sA2 | sG sE s^F s^G | sA4 | %8 s^F2 s^F sE | sD2 sA2 | sA sG sG s^F | sE4 | sE2 s^F sG | s^F sE sD sG | s^F2 sE3/2 sD/ | sD4 |] %16 V:5 sD, sD, sA, sG, | x s^F, s^F,2 | sG, sE, sE, sE, | sA,3 x | sD, sD, sD, s^F, | sG, sG, s^F,2 | %6 sE, sE, sD, sB, | sE,4 | sD, sA, sA, sG, | s^F, s^F, s^F,2 | sG,2 sD,2 | x sG, s^F, sE, | %12 x sE, sD, sE, | sD, sE, s^F, sE, | sD, sD,2 sG, | s^F,2 sD,2 |] %16 V:6 sA,2 s^C s^C | sB,2 sD s^C | sD s^C s^C sA, | sD sD s^C sB, | sA,2 sB, sD | sD2 sD sD | %6 sB, sA, sA, s^^C | s^C2 sG2 | sA,2 s^C s^C | sB,2 sD s^C | sB,2 sB,2 | sB,4 | sA,2 sA, sA, | %13 sA, sA, sB, sB, | sA,2 sA,2 | sA,4 |] %16

Fragment of a composition by Wim & Wim.
This also demonstrates a scrolling score inside a scrolling document. xmlplay_emb should handle this correctly.

%%beginsvg         %%endsvg %%map perc6 ^g print=g midi=42 heads=x %%map perc7 E print=E midi=35 heads=square+,square %%map perc7 _c print=c midi=37 heads=triangle+,triangle %%beginsvg 0 1 10 11 2 3 4 5 6 7 8 %%endsvg X:1 T:Geneva Old Style C:Wim&Wim, 1987 %%measurenb 0 %%score ( 1 2 3 4 ) 5 ( 6 7 ) L:1/8 Q:1/4=90.00 M:4/4 I:linebreak $ K:C U:s=!stemless! %%map tab1 =A print=a heads=kop5 %%map tab1 =C print=d heads=kop5 %%map tab1 =D print=d heads=kop7 %%map tab1 =F print=f heads=kop6 %%map tab1 =G print=f heads=kop8 %%map tab1 =G, print=B heads=kop5 %%map tab1 =c print=a heads=kop8 %%map tab1 =d print=a heads=kop10 %%map tab1 ^A print=a heads=kop6 %%map tab1 ^D print=d heads=kop8 %%map tab1 ^d print=a heads=kop11 %%map tab1 _B print=f heads=kop11 %%map tab2 =A, print=B heads=kop7 %%map tab2 =A,, print=E heads=kop5 %%map tab2 =C print=d heads=kop5 %%map tab2 =D print=d heads=kop7 %%map tab2 =F print=d heads=kop10 %%map tab2 =F, print=G heads=kop8 %%map tab2 =G print=f heads=kop8 %%map tab2 =G, print=B heads=kop5 %%map tab2 ^A, print=B heads=kop8 %%map tab2 ^A,, print=E heads=kop6 %%map tab2 ^D print=d heads=kop8 %%map tab2 ^D, print=G heads=kop6 %%map tab2 _E print=f heads=kop4 %%map tab3 ^A,, print=E heads=kop6 %%map tab4 =C print=d heads=kop5 %%map tab4 =F print=d heads=kop10 %%map tab4 =G, print=B heads=kop5 %%map tab4 ^A, print=B heads=kop8 %%map tab4 ^B, print=B heads=kop10 %%map tab5 =A,, print=d heads=kop2 %%map tab5 =A,,, print=G heads=kop0 %%map tab5 =C, print=d heads=kop5 %%map tab5 =C,, print=G heads=kop3 %%map tab5 =D, print=d heads=kop7 %%map tab5 =D,, print=B heads=kop0 %%map tab5 =F,, print=B heads=kop3 %%map tab5 =G,, print=d heads=kop0 %%map tab5 =G,,, print=E heads=kop3 %%map tab5 ^A,, print=d heads=kop3 %%map tab5 ^A,,, print=G heads=kop1 %%map tab5 ^D, print=d heads=kop8 %%map tab5 ^D,, print=B heads=kop1 V:1 tab stafflines=6 strings=E2,A2,D3,G3,B3,E4 nostems nm="Guitar" %%voicemap tab1 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI program 25 %%MIDI control 7 100 %%MIDI control 10 127 V:2 tab stafflines=6 strings=E2,A2,D3,G3,B3,E4 nostems %%voicemap tab2 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI program 25 %%MIDI control 7 100 %%MIDI control 10 32 V:3 tab stafflines=6 strings=E2,A2,D3,G3,B3,E4 nostems %%voicemap tab3 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI program 25 %%MIDI control 7 100 %%MIDI control 10 16 L:1/4 V:4 tab stafflines=6 strings=E2,A2,D3,G3,B3,E4 nostems %%voicemap tab4 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI program 25 %%MIDI control 7 100 %%MIDI control 10 80 V:5 tab stafflines=4 strings=E1,A1,D2,G2 nm="Bass" %%voicemap tab5 K:none M:none %%clef none %%staffscale 1.6 %%flatbeams true %%stemdir down %%MIDI program 36 %%MIDI control 7 100 %%MIDI control 10 64 V:6 perc nm="Drum" K:none %%MIDI channel 10 %%MIDI program 0 %%MIDI control 7 80 %%MIDI control 10 111 %%MIDI drummap ^g 42 %%voicemap perc6 V:7 perc K:none %%MIDI channel 10 %%MIDI program 0 %%MIDI control 7 60 %%MIDI control 10 16 %%MIDI drummap E 35 %%MIDI drummap _c 37 %%voicemap perc7 V:1 x4 s[=G=D]3 s[=G^D] | s[=G^D] s[=G=C] s[=G=C] s[=G=C]- s[=G-=C] s[=G=D] s[=G-=D] s[=G=C] | %2 x4 s=G2 s=A s=G | s=G s=A s=G- s=G- s=G s=A s=G- s=G | x2 s=G,2- s[=G=G,]3 s[=A=F] |$ %5 s[=A=F] s^A s[^A=F] s[^A=F]- s[^A=F-] s[=A-=F] s[=A=F]2 | x4 s[=G=D]3 s[=G^D] | %7 s[=G^D] s[=G=C] s[=G=C] s[=G=C]- s[=G-=C] s[=G=D] s[=G-=D] s[=G=C] | x4 s[=G=D]3 s[=G^D] | %9 s[=G^D] s[=F^D] s[=F^D] s[=G^D] s[=G^D] s[=c=G] s[=c=G]2 |$ x4 s[=c=F]3 s[=d_B] | %11 s[=d_B] s[^d_B] s[^d_B] s[^d_B]- s[^d_B] s=d- s[=d_B]- s[=d_B] | x4 s[=c=F]3 s[^d_B] | %13 s[^d_B] s[=d_B] s[=d_B] s[=d_B]- s[=d_B] s=c- s=c2 | x4 s[=G^D]3 s[=A=F] |$ %15 s[=A=F] s[^A=F] s[^A=F] s[^A=F]- s[^A=F-] s[=A-=F] s[=A=F]2 :| x4 s[=G=D]4 |] %17 V:2 x2 s=G,2- s=G,3 s[^A,^D,] | %1 s[^A,^D,] s[=G,=A,,] s[=G,=A,,] s[=G,=A,,]- s[=G,-=A,,] s[=G,^A,,] s[=G,-^A,,] s[=G,=A,,] | %2 x2 s=G,2- s[=D=G,]4 | s[=D=G,^A,,]3 s[=C=G,=A,,] s[=D=G,-^A,,-]3 s[=D=G,^A,,] | s^D,6 s=F,2 |$ %5 s[=C=F,] s=G, s[=C=G,] s[=C=F,]- s[=C=F,-]3 s[=C=F,] | x2 s=G,2- s=G,3 s[^A,^D,] | %7 s[^A,^D,] s[=G,=A,,] s[=G,=A,,] s[=G,=A,,]- s[=G,-=A,,] s[=G,^A,,] s[=G,-^A,,] s[=G,=A,,] | %8 x2 s=G,2- s=G,3 s^A, | s^A, s=A, s=A, s^A, s^A, s[^D=A,] s[^D=A,] s[_E=G,] |$ s=A,8 | %11 s=F s=F s=F s=F- s=F x x s=F | s=A,8 | s=F s=F s=F s=F- s=F2 s=G s^D | s^D,8 |$ %15 s=C s=C s=C s=C- s=C x x s=C :| s^A,,8 |] %17 V:3 s^A,,4 | x4 | s^A,,4 | x4 | x4 |$ x4 | s^A,,4 | x4 | s^A,,4 | x4 |$ x4 | x4 | x4 | x4 | x4 |$ %15 x4 :| x4 |] %17 V:4 x8 | x8 | x8 | x8 | x4 s=C2- s=C s=C |$ x8 | x8 | x8 | x8 | x8 |$ x2 s=C2 s^B,3 s=F | x8 | %12 x2 s=C2 s^B,3 s=F | x8 | x2 s^A,2- s^A,3 s=C |$ x8 :| x2 s=G,2- s=G,4 |] %17 V:5 ^A,,,6 =A,,,/^A,,,/=C,, | =D,,^D,, =F,,^D,, =D,,=C,, ^A,,,=A,,, | ^A,,,6 =A,,,/^A,,,/=C,, | %3 =D,,^D,, =F,,^D,, =D,,=C,, ^A,,,=A,,, | ^D,,6 =G,,/=A,,/^A,, |$ %5 =A,,=G,, =F,,^D,, =D,,=C,, ^A,,,=A,,, | ^A,,,6 =A,,,/^A,,,/=C,, | %7 =D,,^D,, =F,,^D,, =D,,=C,, ^A,,,=A,,, | ^A,,,6 =A,,/=G,,/=F,, | %9 ^D,,=D,, =C,,^A,,, =C,,^A,,, =A,,,=G,,, |$ =A,,,4 =A,,2 =G,,/=A,,/^A,, | %11 =C,=D, ^D,=D, =C,^A,, =A,,=G,, | =A,,6 =C,/=D,/^D, | =D,=C, ^A,,=A,, =G,,=F,, ^D,,=D,, | %14 ^D,,6 =G,,/=A,,/^A,, |$ =A,,=G,, =F,,^D,, =D,,=C,, ^A,,,=A,,, :| ^A,,,8 |] %17 V:6 xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | %5 xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | %10 xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | xx x ^g xx x ^g | %15 xx x ^g xx x ^g :| xx x ^g xx x ^g |] %17 V:7 EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | %5 EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | %10 EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | EE _c x EE _c x | %15 EE _c x EE _c x :| EE _c x EE _c x |] %17

The instrumentation of this prelude demonstrates the capabilities of the real time synthesizer.
(at least, when the soundfonts of the three instruments are available in the same directory as xmlplay_emb.js, which is, of course, the case when you run this demo from the original website).
The trumpet and tenor sax use modultated filters, tremolo and vibrato, all at the same time.

X:1 T:BWV 539 (prelude) %%measurenb 0 %%score (1 2 5) (3 4) L:1/8 M:4/4 I:linebreak $ K:F V:1 treble %%MIDI program 57 %%MIDI control 7 80 %%MIDI control 10 0 V:2 treble %%MIDI program 73 %%MIDI control 7 120 %%MIDI control 10 64 L:1/4 V:3 bass %%MIDI program 66 %%MIDI control 7 90 %%MIDI control 10 127 V:4 bass %%MIDI program 66 %%MIDI control 7 90 %%MIDI control 10 127 V:5 treble %%stemdir up %%MIDI program 73 %%MIDI control 7 120 %%MIDI control 10 64 L:1/4 V:1 A4 d4- | d2 ^c=B c4 | z D^FA c4- | c2 BA GFED |$ ^CDEF G4- | G2 [EG]2 F4 | E4- EA^GA | %7 =B4- BBAB |$ ^c4- cA=Bc | d^cde f4- | f4- ffed | c=BA^G ABcA |$ d8- | d2 d2 c4 | =B8- | %15 Bdc=B e4- |$ edc=B A4- | Ac=BA d4- | dfed =b4- | b2 a^g a2 e2 |$ f8- | ffed c=BA^G | %22 A2- A=B c/4B/4c/4B/4c/4B/4c/4B/4 c/4B/4c/4B/4A | A4 A4- |$ Ac=BA d2 F2- | F2 E2 c4- | %26 cedc f2 A2- | A2 G2 e4- |$ egfe a2 c2 | =B4 g4- | g4- g2 f2- | f2 f2 e2 d2 |$ ^c4 z4 | %33 z A=B^c d4- | d2 ^c=B c4 | z D^FA c4- |$ c2 BA GFED | ^CDEF G4- | G2 G2 F4- | FE^G=B dfed |$ %40 ^cBAG FED^C | D2- DE F/4E/4F/4E/4F/4E/4F/4E/4 F/4E/4F/4E/4D | D8 | %43 V:2 [DF-]2 [FA]2 | [EG]4 | z/ D2- D- D/- | D2 z2 |$ ^C2 z C | A,2 D2- | D/D/C/=B,/ C2 | D =B, E2- |$ %8 [E-A]2 E/ A- A/- | A2- A A | =B2 z ^G, | A, =B, E, A, |$ z ^F ^G A | =B B2 A- | A/A/^G/^F/ G2- | %15 G z z2 |$ A2 z/ G/F/E/ | D2 z/ c/=B/A/ | z z2 [e^g]- | [eg] z2 c- |$ c/e/d/c/ =B/A/^G/A/ | %21 =B2 z D | C F E D- | D C F2- |$ F2 z D- | D C A2- | A2 z F- | F E c2- |$ c2 z A- | A G z/ f/e/d/ | %30 z z2 d | B4- |$ B z z2 | z/ A2- A- A/ | [EG]4 | z/ z A2- A/- |$ A G z2 | z z2 E- | E E D2- | %39 D/ z/ z z2 |$ z z2 G, | F, B, A,2 | [F,A,]4 | %43 V:3 D,4- D,D,^C,D, | E,4- E,E,D,E, | ^F,4- F,D,E,F, | G,^F,G,A, B,4- |$ B,4- B,B,A,G, | %5 ^E,=E,D,^C, D,E,^E,G, | A,2 E,2 A,4- | A,2 ^G,^F, G,4 |$ z A,,^C,E, G,4- | %9 G,2 ^E,=E, D,^B,,=B,,A,, | ^G,,A,,=B,,^B,, D,4- | D,2 D,2 ^B,,4- |$ B,,E,D,^B,, =B,,A,,^G,,^F,, | %13 ^G,,A,,=B,,G,, A,,B,,^B,,D, | E,4- E,E,D,E, | ^B,,4- B,,B,,D,E, |$ F,4- F,E,D,^B,, | %17 =B,,4- B,,B,,^B,,D, | E,4- E,D,C,=B,, | A,,^G,,A,,=B,, C,A,,B,,^B,, |$ D,^B,,D,E, ^E,D,=E,F, | %21 ^G,,2 ^G,2 A,2 =B,2 | A,4- A,2 ^G,2 | A,4 z4 |$ =B,4- B,B,A,B, | C2 C,2 z C=B,^B, | D4- DD^B,D | %27 E2 E,2 z EDE |$ F4- FFE^E | G^E=ED ED^C=B, | ^C2 A,2 DD,E,^E, | G,^E,G,A, B,A,^A,G, |$ %32 A,G,A,=B, ^CA,B,C | D2 D,2- D,D,^C,D, | E,4- E,E,D,E, | ^F,4- F,D,E,F, |$ G,^F,G,A, B,4- | %37 B,4- B,B,A,G, | A,8 | z2 =B,,2 E,4- |$ E,2 z4 E,2 | D,4- D,2 ^C,2 | D,8 | %43 V:4 x8 | x8 | x8 | x8 |$ x8 | x8 | x8 | x8 |$ z A,,2- A,, z4 | x8 | x8 | x8 |$ x8 | x8 | x8 | x8 |$ %16 x8 | x8 | x8 | x8 |$ x8 | z2 z4 E,2 | F,2 D,2 E,4 | A,,4 A,A,G,A, |$ x8 | x8 | x8 | x8 |$ x8 | %29 x8 | x8 | x8 |$ x8 | x8 | x8 | x8 |$ x8 | x8 | F,E,D,^C, D,E,F,D, | ^G,,4- G,,2 G,,2 |$ %40 A,,2 ^C,2 D,2 A,,2 | B,,2 G,,2 A,,4 | D,,8 | %43 V:5 x4 | x4 | z/ z A/ A2- | A z z2 |$ z z2 E- | E z z2 | x4 | x4 |$ x4 | x2 d2- | d2 x2 | x4 |$ x4 | %13 z E2- E- | E4- | E z2 ^G |$ x4 | x4 | ^G2 z d | ^B2 z A- |$ A z z2 | x4 | x4 | x4 |$ x4 | x4 | %26 x4 | x4 |$ x4 | x4 | e/d/^c/e/ A2- | A A G2- |$ G A/G/ A/G/^E/=E/ | ^E4 | x4 | z/ D2- D- D/- |$ %36 D2 z2 | z z2 B,/ z/ | x4 | x4 |$ x4 | x4 | x4 | %43

Microtonal accidentals.

Prelude of a makam

X:1 L:1/4 Q:1/4=100 %%MIDI temperamentequal 53 K:C V:1 %%MIDI program 1 25 _9D _8D _7D _6D _5D _4D _3D _2D _1D =D | w:\_9 \_8 \_7 \_6 \_5 \_4 \_3 \_2 \_1 = ^1D ^2D ^3D ^4D ^5D ^6D ^7D ^8D ^9D z| w:\^1 \^2 \^3 \^4 \^5 \^6 \^7 \^8 \^9

Makam accidentals (ABC notation below the notes, edo53)
_7, _6, ^6 and ^7 have no accidental glyphs, but sound at the right pitch
The pitch distance between successive notes is 22.22 cent (9 notes: 200 cent)

X:1 L:1/4 Q:1/4=100 %%MIDI temperamentequal 53 %%stretchlast 0.8 K:C V:1 %%MIDI program 1 25 _4/3D _D _2/3D _1/3D =D ^1/3D ^2/3D ^D ^4/3D z| w:\_4/3 \_ \_2/3 \_1/3 = \^1/3 \^2/3 \^ \^4/3

Up-down accidentals (edo36)
The pitch distance between successive notes is 33.33 cent (6 notes: 200 cent)

X:1 L:1/4 Q:1/4=100 %%MIDI temperamentequal 53 %%stretchlast 0.8 K:C exp _2E _2/3C ^2/3F V:1 %%MIDI program 1 25 E E =E E C C =C C F F =F F | w:\_2 \_2 = = \_2/3 \_2/3 = = \^2/3 \^2/3 = =

Microtonal accidentals in the key follow the usual rules

Fragment from a marching drumline.
The fragment is taken from https://musescore.com/krazsk2/cadences and the patches are extracted from "MuseScore_General.sf3"

%%beginsvg         %%endsvg %%deco f 6 my_f 8 0 0 %%deco p 6 my_p 8 0 0 %%deco mp 6 my_mp 8 0 0 %%map perc1 B print=B midi=50 heads=normal+,normal %%map perc1 ^B print=B midi=52 heads=x %%map perc1 ^c print=c midi=53 heads=x %%map perc1 _B print=B midi=57 heads=diamond+,diamond %%map perc2 A print=A midi=48 heads=normal+,normal %%map perc2 F print=F midi=24 heads=normal+,normal %%map perc2 ^A print=A midi=49 heads=x %%map perc2 ^c print=c midi=73 heads=x %%map perc2 ^g print=g midi=121 heads=x %%map perc2 g print=g midi=120 heads=normal+,normal %%map perc3 A print=A midi=24 heads=normal+,normal %%map perc3 ^A print=A midi=26 heads=x %%map perc3 ^c print=c midi=50 heads=x %%map perc3 ^e print=e midi=71 heads=x %%map perc3 ^g print=g midi=98 heads=x %%map perc3 c print=c midi=48 heads=normal+,normal %%map perc3 e print=e midi=69 heads=normal+,normal %%map perc3 g print=g midi=96 heads=normal+,normal %%map perc4 B print=B midi=79 heads=normal+,normal %%map perc4 ^B print=B midi=76 heads=x X:1 T:Cadences C:Jim Casella, Murray Gusseck Z:© 2015 Tapspace Publications, LLC (ASCAP). Portland, OR. International copyright secured. All rights reserved. %%score [ 1 2 3 4 ] L:1/16 Q:1/4=112 M:4/4 I:linebreak $ K:C V:1 perc nm="Snare Drum" snm="S.D." %%voicemap perc1 K:none %%MIDI channel 10 %%MIDI program 56 %%MIDI control 10 16 V:2 perc nm="Tenor Drums" snm="T.D." %%voicemap perc2 K:none %%MIDI channel 10 %%MIDI program 95 %%MIDI control 10 48 V:3 perc stafflines=4 nm="Bass Drums" snm="B.D." %%voicemap perc3 K:none %%MIDI channel 10 %%MIDI program 57 %%MIDI control 10 80 V:4 perc nm="Cymbals" snm="Cym." %%voicemap perc4 K:none %%MIDI channel 10 %%MIDI program 58 %%MIDI control 10 111 %%MIDI control 7 80 L:1/4 V:1 !f! !>!B2!p!B2B2B2 !f!!>!B2!p!B2B2B2 | %1 !f! !>!B3!>!B3!>!B2 z2!p!"^stick shot" !>![_B^c]2 !>![_B^c]2^c^c || %2 "^McSalsa""^A"!p! [_B^c]2!mp!!>!^c!p![_B^c] z!mp! !>!^c!p![_B^c]2 z2 [_B^c]2 [_B^c]!mp!!>!^c2!>!^c | %3 [I:repeat 1 2] !p! [_B^c]2!mp!!>!^c!p![_B^c] z!mp! !>!^c!p![_B^c]2 z2 [_B^c]2 [_B^c]!mp!!>!^c2!>!^c | !p! [_B^c]2!mp!!>!^c!p![_B^c] z!mp! !>!^c!p![_B^c]2 z2 [_B^c]2 [_B^c]!mp!!>!^c2!>!^c | !p! [_B^c]2!mp!!>!^c!p![_B^c] z!mp! !>!^c!p![_B^c]2!mp! !^!^B4 z4 |: %6 "^B" ^c2^c[B^c] z ^c^c2 ^c2BB !>!BBB!>!B | [I:repeat 1 2]^c2^c[B^c] z ^c^c2 ^c2BB !>!BBB!>!B | ^c2^c[B^c] z ^c^c2 ^c2BB !>!BBB!>!B | %9 ^c2^c[B^c] z ^c^c2 !>!B2!>!B!>!B z !>!B!>!B2 :| %10 V:2 z16 | z16 || !mp! ^A2>!^![g^g]2 ^A2!>!c!>!c ^A2!^![g^g]2 ^A2!>!F!>!F | [I:repeat 1 2]^A2>!^![g^g]2 ^A2!>!c!>!c ^A2>!^![g^g]2 ^A2!>!F!>!F | ^A2>!^![g^g]2 ^A2!>!c!>!c ^A2>!^![g^g]2 ^A2!>!F!>!F | %5 ^A2>!^![g^g]2 ^A2!>!c!>!c !>!A2>"_don't play on D.C."!ped!!/!c2 !>!c!>!c!>!!^![c^c]2!ped-up! |: %6 !mp! g2gg z gg!>!F !>!A2g!>![Fg] z gg2 | [I:repeat 1 2]!mp! g2gg z gg!>!F !>!A2g!>![Fg] z gg2 | !mp! g2gg z gg!>!F !>!A2g!>![Fg] z gg2 | %9 g2gg z gg2 !>![FA]2!>![FA]!>![FA] z !>![FA]!>![FA]2 :| %10 V:3 z16 | z16 || %2 !mp! !>![^A^c^eg]2g!>![^A^c^eg] z g!>![^A^c^eg]2 !>!A2[^A^c^e^g]!>!A [^A^c^e^g]2!>!A2 | [I:repeat 1 2]!>![^A^c^eg]2g!>![^A^c^eg] z g!>![^A^c^eg]2 !>!A2[^A^c^e^g]!>!A [^A^c^e^g]2!>!A2 | !>![^A^c^eg]2g!>![^A^c^eg] z g!>![^A^c^eg]2 !>!A2[^A^c^e^g]!>!A [^A^c^e^g]2!>!A2 | %5 !>![^A^c^eg]2g!>![^A^c^eg] z g!>![^A^c^eg]2 !>![Aceg]4 z4 |: %6 !mf! [^A^ce^e^g]3[^A^c^eg^g]3[^A^ce^e^g]2 [^Ac^c^e^g]3[^A^ce^e^g]3[A^A^c^e^g]2 | [I:repeat 1 2][^A^ce^e^g]3[^A^c^eg^g]3[^A^ce^e^g]2 [^Ac^c^e^g]3[^A^ce^e^g]3[A^A^c^e^g]2 | [^A^ce^e^g]3[^A^c^eg^g]3[^A^ce^e^g]2 [^Ac^c^e^g]3[^A^ce^e^g]3[A^A^c^e^g]2 | %9 [^A^ce^e^g]3[^A^c^eg^g]3[^A^ce^e^g]2 !>![Aceg]2!>![Aceg]!>![Aceg] z !>![Aceg]!>![Aceg]2 :| %10 V:4 z4 | z4 || !p! ^B ^B ^B ^B | [I:repeat 1 2]!p! ^B ^B ^B ^B | !p! ^B ^B ^B ^B | ^B ^B !>!!^!B z |: ^B ^B ^B ^B | [I:repeat 1 3]^B ^B ^B ^B | ^B ^B ^B ^B | ^B ^B ^B ^B :| %10